
Source: platform.theverge.com
After a silence that stretched over two years, the music‑history podcast No Dogs in Space is back with a brand‑new season. Hosts Carolina Hidalgo and Marcus Parks have labelled this revival “Punk 2.0,” signalling a return to the raw, rebellious stories that first drew them to the medium. The premiere episode launched this week as part one of a deep dive into the New York Dolls, a protopunk and glam act whose legacy resonates strongly with Hidalgo, a native Staten Islander who grew up near the band’s frontman, David Johansen.

Hidalgo and Parks explained that the decision to focus on punk came after a period of experimentation. Parks recalled wanting to tackle subjects as broad as Beethoven, but the duo quickly realized their strongest passion and expertise lay in punk rock. “We wanted to go all over. I wanted to do Beethoven at one point,” Parks said, “but we realize like what we do best is tell a punk story, right? Not the punk story, but a punk story.” They also noted that the most compelling narratives in music often boil down to the simple idea of “art school kids fucking around,” a phrase that emerged after countless hours translating German for an earlier experimental‑rock series.
The road to season four was not straight. Initially, the pair planned to cover the Washington, D.C. punk scene, envisioning a launch episode centered on the influential band Bad Brains. Hidalgo revealed to The Verge that they “worked on it for over six months” before confronting the band’s troubling ideology. “And then we look into them,” she said, “and they’re like, incredibly homophobic. Like, fire and brimstone … A lot of No Dogs bands like, they’re problematic, but that was like a really tough one to focus on.”
Undeterred, they attempted a broader series that would encompass the entire D.C. musical landscape, hoping to include go‑go pioneer Chuck Brown and even Georgetown University’s WGTB radio station. Parks warned that the effort “just kept swelling larger,” pulling in acts that were only tangentially related to the original concept. After eight months of work, the hosts admitted defeat, acknowledging that trying to weave all those threads together was impossible. The effort was not wasted, however; the research yielded a two‑part series on Link Wray that is slated for release later this year.
True to the show’s reputation for wandering down unexpected rabbit holes, the New York Dolls installment sparked fresh fascinations for both hosts. Hidalgo became engrossed with Mott the Hoople, recounting how lead singer Ian Hunter went from digging ditches to fronting a band after a casual friend’s invitation, later penning “Cleveland Rocks”—a track covered by The Presidents of the United States of America and adopted as the theme for The Drew Carey Show.
Parks, meanwhile, fixated on drag queen Jackie Curtis. He argued that the punk aesthetic often credited to Richard Hell may have actually originated with Curtis, sharing an anecdote about how she once “went out on to [their] windowsill… like Batman, inching like Batman” to sneak into a deceased neighbor’s apartment and steal her clothes before the coroner arrived. These tangents, the hosts said, are where the show’s magic lives.
In a candid moment, Parks revealed that both he and Hidalgo have recently been diagnosed with autism, describing their obsessive tendencies as a “superpower” that fuels the podcast’s depth and authenticity.
Listeners can find the fresh episodes of No Dogs in Space on Apple Podcasts, Spotify, and, for the first time, as full video episodes on YouTube. The series continues to offer compelling deep dives, and the hosts still recommend earlier seasons covering the Replacements, Dead Kennedys, and Joy Division for anyone eager to explore more punk history.
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