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Latest News 16 AUGUST, 2026

Visar Morina’s ‘Shame and Money’ Exposes Economic Desperation in Europe

Visar Morina's 'Shame and Money' Exposes Economic Desperation in Europe, a timely warning about the human cost of economic inequality.
NEWS DESK PUBLISHED: AUGUST 16, 2026
📖 4 MIN READ

Sundance Grand Jury Prize winner Visar Morina returns to the Sarajevo Film Festival with his biting social drama, ‘Shame and Money,’ which won the top prize in Park City earlier this year. This film is a testament to Morina’s dedication to exploring the lives of outsiders, and in ‘Shame and Money,’ he delves into the struggles of a Kosovo family in free fall.

A Story of Economic Desperation

The film follows Shaban (Astrit Kabashi) and Hatixhe (Flonja Kodheli), a couple in their forties living with their extended family in rural Kosovo. They eke out a modest living on their farm, but when a family dispute leads to a terrible act of betrayal, their livelihood is suddenly lost. The couple is forced to move to Pristina, where the pressure to provide weighs heavily on both husband and wife.

As they struggle to make ends meet, Shaban becomes increasingly desperate. He takes on odd jobs, but the relentless struggle of daily life pushes him to the breaking point. The film provides a bleak portrait of Kosovo, a war-scarred country whose social fabric is fraying at the seams.

For Morina, ‘Shame and Money’ is a parable of modern-day Europe. The rising cost of living, housing shortages, stagnant wages, and a growing rift between the haves and have-nots have spurred widespread pessimism about the direction in which society seems to be heading.

Morina sees his film as a warning to the future. ‘We are actually coming to a point in Germany where it feels like we are going straight to a situation like this in Kosovo,’ he says. ‘It’s a look into the past and a warning to the future.’

The film’s writer, Visar Morina, and Doruntina Basha, have crafted a narrative that is both deeply rooted in the sociopolitical realities of Kosovo and universally relatable. The story is a stark reminder that the struggles of the working class are not unique to Kosovo, but a symptom of a larger economic crisis in Europe.

Visar Morina’s previous film, ‘Exile,’ which also premiered in Park City, won the Sarajevo Film Festival in 2020. That film, about a Kosovan immigrant grappling with paranoia after a string of menacing events, was loosely inspired by the director’s own experience. Born in Kosovo, Morina emigrated with his family to Germany in the 1990s, before the war that would ultimately lead to the country’s independence.

The film’s cast, including Astrit Kabashi and Flonja Kodheli, deliver powerful performances that bring the characters to life. The cinematography is stark and unforgiving, capturing the bleak beauty of the Kosovo landscape.

A Warning to the Future

At a time when the world is grappling with the consequences of economic inequality, ‘Shame and Money’ provides a timely warning. The film’s themes of economic desperation, exploitation, and social inequality are eerily relevant in today’s Europe.

‘When you’re broke, even your mom doesn’t love you,’ Morina recalls a Kosovan man once telling him. ‘There is nothing I associate more strongly with the film than this phrase.’

Visar Morina’s ‘Shame and Money’ is a must-see for anyone interested in the human cost of economic inequality. The film is a powerful reminder that the struggles of the working class are not just a local issue, but a symptom of a larger economic crisis that affects us all.

The Sarajevo Film Festival runs Aug. 14 – 21, and ‘Shame and Money’ is one of the standout films in the main competition. Don’t miss this opportunity to see a film that will leave you thinking long after the credits roll.

World sales are being handled by The Yellow Affair and Espoo. The film’s producers, Vicky Bane and Schuldenberg Films, have brought together a talented team to bring this powerful story to life.

‘Shame and Money’ is a testament to Visar Morina’s dedication to exploring the lives of outsiders. His films are a powerful reminder that the struggles of the working class are not unique to any one country, but a symptom of a larger economic crisis that affects us all.

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